Blocks and Collective at HotHouse’s open studio. Come by: 14 January 2023, 14:30-21:30pm 28 Aliwal St, #02-10, Singapore 199918. Comprising a series of video projections and informal dialogues with the designers, ‘Blocks and Collectivities’ is a dive into the practice of Hothouse and their conversations on the intersections of art, technology, design and architecture. These…
formAxioms’ exhibition: “Speculations on modes of living: INHABITING NEW FUTURES” – located at the National Design Centre – Singapore, open from the 12th of January 2023. The exhibition presents the work done by formAxioms researches/students and developed during academic years at SUTD, it is part of “Circular Futures: Next Gen”, curated by Artacia. formAxioms’ work…
Federico Ruberto performs for the second time the text written for “Trace 2”, a text transformed into a voice via a modular synthesiser. Second performance on 3rd December 2022. [CHECK THE FIRST PERFORMANCE AND READ MORE ABOUT IT] From Singapore Art Museum: “The performance activation of Trace2 brings together live movement by Bernice Lee, augmented by text…
formAxioms’ Masterclass-Workshop Non-Linear Serialism, on discrete computation and world-building, conducted at Pluritopia: 1.5 h Lecture by Federico Ruberto, 1.5 h Workshop by Daryl Ho (rhino, gh-wasp, unreal). NON-LINEAR SERIALISM It’s (in-)complete I Its (in-)finite I It’s (un-)connected I It’s unique(-s) I it adds I It sum(mon)s up I It (re-)aggregates I It generates complexity upon…
Federico Ruberto first performance for Trace 2, a live interactive event using IA-AI, a text transformed into a voice via a modular synthesiser. Libretto IA-AI The Libretto for “Trace 2” is a text in 3 acts written by Federico Ruberto + IA-AI (a self trained ML model). The 3 acts correlate to the 3 stages…
Federico Ruberto and formAxioms’ team collaboration with Teow Yue Han: “Trace 2”, a project for Singapore Art Museum, part of “Can Everybody See My Screen?”. The project is a visual installation with real-time feedback components and live events turning around the theme of surveillance —it investigates the possibility of crafting/choreographing new forms of coming together……
